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3.31.2018

14 classic films and the problem with a short attention span...

Last year year I set out to watch 16 iconic films so that I could learn more about the art and science of storytelling through film. It was ambitious considering my life was already busy, but then I got laid off from my job and my schedule freed up. The losing the job part sucked, but the extra free time really helped me get through that list! 

Alas, I was still only able to watch 14 on my list, (remind me to never try to blow through 16 movies and keep up with awards season at the same time ever again) but I did learn a lot and had a ton of fun doing it. The award show season just wrapped up a few weeks ago, so in honor of Oscar nominated films of the past, here are some recent classics I've watched along with my impressions and a few observations about old films in general:

Jaws - What ever happened to the art of suspense?

Awards: Best Film Editing, Best Music (Dramatic Score), Best Sound

If there's any genre that "shows its age" horror is definitely at the top of the list. The outdated special effects combined with over the top acting and clichés like half-naked women wandering into barns at night with machetes hanging on the wall while a deranged man is on the lose, all point towards old horror fare. The genre has mostly evolved.

All that to say, Jaws is one of the expertly executed horror films from yesteryear about a great white shark on the prowl in a small beach town. The film is a master class in suspense. Spielberg is able to build tension without showing much of anything. Budget constraints forced Spielberg to show victims being attacked with most of the action happening underwater with pulleys and wires yanking the actors around to simulate attacks. Necessity is the mother of invention as they say.



All About Eve - Melodrama can be a good thing.

Awards: Best Actor in a Supporting Role, Best Director, Best Writing (Screenplay), Best Costume Design (Black and White), Best Sound, Best Picture

In of her most iconic roles, Bette Davis plays an aging actress who is trying to stay relevant in this classic story about jealousy and revenge. When Jones is upstaged by an unassuming girl (played by Anne Baxter) who is an aspiring and cunning actress herself, things get shall we say, melodramatic. Clearly the melodrama worked in this film's favor with 6 Oscars under it's belt including best picture.


2001: A Space Odyssey - Why are classic films so long?


Awards: Best Effects, Special Visual Effects

Maybe it had to do with the sparse dialogue or confusing plot, but I had a hard time sitting through this film. I know that it was unprecedented for its time and I did appreciate the beautiful cinematography, but I can't help but think that in an age where people's attention spans are alarmingly short, we won't be seeing many of these types of films anymore. 




Alien Trilogy - Outdated special effects can be redeemed by great storytelling.


Awards: Best Effects, Visual Effects (Alien), Best Effects, Sound Effects Editing (Aliens), Best Effects, Visual Effects (Aliens) 

When you watch the first Alien film it's hard not to chuckle at the outdated special effects and awkward actions sequences, but when you put it in context of the time it was released, it was in fact a groundbreaking film for the technology that was available. When compared to the souped up action-packed movies of today, this film falls fall short, but somehow it still holds up. 

These films aren't only classics because of the innovation for their time, the writing has made it a story that can resonate with any generation. Not to mention the fact that Ridley Scott and James Cameron created a badass female protagonist (which wasn't common in that era).


Seven Samurai - Painters turned directors are a really good thing


Awards: None (which is a tragedy, really)

Legendary Akira Kurosawa was a professional artist turned filmmaker. His artistic touch is all over this beautiful film. Each shot is carefully crafted to compliment the story in a way that I've very rarely experienced. It's a shame this film didn't win any awards when it debuted in 1954.


Casablanca - Where's the political romance we've been waiting for?

Casablanca is a beautiful love story to be sure, but the fact that it is framed by such important political themes makes it all the more poignant. I love this movie and it's not hard to see why generations before me and after me will continue to love it. I wrote about the film last year and learned some fun facts about what was going on at the time historically. Revisit this film over and over again, you won't be disappointed.

Awards: Best Picture, Best Director, Best Writing (Screenplay)






Lawrence of Arabia - Sweeping epics seem like a thing of the past


Awards: Best Picture, Best Director, Best Cinematography (color), Best Art Direction - Set Decoration (color), Best Sound, Best Film Editing, Best Music (score)

People's time wasn't nearly as divided when this movie was released. Now a days it's a struggle to sit through 3 hour movie with our busy lives calling to us. Going to the movies used to be a communal experience, but now you can stream most anything at home. It feels as if something has been lost, but if I'm honest I could've done without SO much wandering in the dessert in this film.


The Godfather - No one does it like Marlon Brando 



That's pretty much the most important thing you need to know about this movie. Marlon Brando is a legend. That's all.

Awards: Best Picture, Best Actor in a Leading Role, Best Writing (Screenplay Based on Material from Another Medium)



Citizen Kane - Is it possible years of hype can inflate a film to earn the title "best of all time"?



Don't get me wrong. This film is impressive. I really enjoyed following the well-crafted narrative of the life and eventual demise of a publishing tycoon. Orson Wells has contributed a lot to the world of film. But the best film of all time? I'm just not convinced. 

Awards: Best Writing (Original Screenplay)





Psycho - Old movies can definitely give you nightmares.



Awards: None

I was expecting to watch Psycho and walk away unaffected by the outdated effects and the fact that it's black in white. "How scary can it be?" I thought. Well, I was sorely mistaken and 3 sleepless nights of me trying to get the image of Anthony Perkins' disturbing, smug face out of my head is proof. 

I can't not recommend this film. It's twisted and brilliant and Hitchcock really is a master of psychological horror.


12 Angry Men - Turns out society hasn't changed all that much 



Awards: None

I was simultaneously inspired and discouraged when I watched this film. It's amazing that during the entire hour and thirty six minutes of 12 men sitting in a room talking was so enrapturing, but as the 12 jurors debated the innocence of a young Puerto Rican man, I was reminded that over sixty years later, we're still faced with so many of the same societal problems that we did back then.

This film is excellent and I'm sad that it didn't win any awards.


Did I miss any "must see" classic films? Add to my list in the comments below!

3.03.2018

Who will win, who should win? My Oscar Predictions...

2017 was a great year for film. It gave us a story about a black man whose nightmare becomes reality when he meets his girlfriend's family for the first time, the beautiful journey of a young boy following his dream of becoming a musician in the afterlife, a girl trying to survive Catholic high school and discover who she is in a west coast town, and much more. 

Predicting the Oscars isn't an easy task for anyone. Even if you watch every film on the nomination list, track trends from previous years, and read every article you can find making a case for why one pick should win over another, the voting process is complex and the voting body continues to evolve each year as more people join the Academy.

Regardless, it's always an exciting moment when something you really love and want recognized takes the most prestigious prize in Hollywood. And let's be honest, the anticipation and drama is part of the fun. So, even though I never feel 100% confident about anything when I make my predictions, I'm throwing my hat in the ring.

Here's who I think will win and wish would win at the Academy Awards this year...

Writing (Original Screenplay)

Will win
Get Out

Should win
Get Out

Why? 
Get Out is a genre-bending deeply personal story that took years to develop. It's relevant, fresh, and clever with excellent character arcs and a well-paced, intriguing plot. 

Writing (Adapted Screenplay)

Will win 
James Ivory, Call Me By Your Name

Should win
Virgil Williams and Dee Rees, Mudbound

Why?
Mudbound tells a poignant story about racism. It's set in post-WWII and narrated from 6 different perspectives. You'd think the multiple voiceovers would make it feel too busy, but instead Virgil Williams and director Dee Rees were able to deliver an excellent adaptation from a book with every character fairly represented - weaving together a beautiful narrative that inspires empathy.

Visual Effects

Will win 
War for the Planet of the Apes

Should win 
War for the Planet of the Apes

Why?
Andy Serkis and his collaborators have been pioneering motion capture that has revolutionized the world of visual effects for more than a decade. The film is stunning and the technology continues to improve. It doesn't make sense for anything else to take the award.

Music (Original Song)

Will win 
Remember Me from Coco, Kristen Anderson-Lopez and Robert Lopez

Should win 
Mystery of Love from Call Me by Your Name, Sufjan Stevens

Why?
While the song Remember Me is in some ways the heartbeat of Coco that propels forward plot and themes, Mystery of Love is a unique piece from an artist who sings from his soul. It's a striped down, simple song, but it would be a welcome change of pace from what normally wins.

Music (Original Score)

Will win 
Alexandre Desplat, The Shape of Water

Should Win
Hans Zimmer, Dunkirk

Why?
There was some beautiful music that elevated the stories at the movies last year, but none helped to build suspense like Hans Zimmer's work on Dunkirk. The score genuinely enhanced my experience of the film.

Makeup and Hairstyling

Will win 
Darkest Hour

Should win 
Darkest Hour

Why?
Gary Oldman is utterly transformed by the expert prosthetics that took several hours to apply on each day of shooting. I can't see anyone else taking the award, nor should they.

Best Film Editing

Will win 
Dunkirk

Should win 
Dunkirk

Why?
The non-traditional storytelling and multiple timelines in Dunkirk makes it a master class in film editing. I don't think there's much debate around how groundbreaking the editing is in this film.

Best Documentary

Will win 
Icarus

Should win 
Icarus

Why?
Especially in an olympic year, this film is as important as ever. It's revelatory and takes some twist and turns that proves that truth really is stranger than fiction.

Best Directing

Will win 
Guillermo Del Toro, The Shape of Water

Should win 
Guillermo Del Toro, The Shape of Water

Why?
Guillermo Del Toro was able to package some incredibly poignant themes in beautiful imagery and still stayed true to his quirky ways. All of his previous work points to this great achievement from a filmmaker who is deeply invested in his fairytales.

Costume Design

Will win 
Mark Bridges, Phantom Thread

Should win 
Mark Bridges, Phantom Thread

Why?
It seems appropriate that the award for best costume design should go to a film that centers around high fashion. But besides the subject matter, the handmade dresses are stunning and an excellent nod to the era. 

Cinematography

Will win
Blade Runner 2049

Should win 
Blade Runner 2049

Why?
It's a known fact that Roger Deakins is overdue for this award. From Fargo to Skyfall, this film really is his crowning achievement. 

Animated Feature Film

Will win 
Coco

Should win 
Coco

Why?
Coco was a visual achievement with its incredible animation, but it's also a landmark film in representing the Mexican culture in a way that is accurate and honors the traditions of a rich history that doesn't typically get much screen time. 

Actress in a Supporting Role

Will win 
Allison Janney, I, Tonya

Should win 
Lesley Manville, Phantom Thread

Why?
Lesley Manville's subdued performance in Phantom Thread embodies exactly what a supporting role should add to a film. I don't see her winning the award, but it would be a nice surprise.

Actor in a Supporting Role

Will win 
Sam Rockwell, Three Billboards outside Ebbing Missouri

Should win 
Willem Dafoe, The Florida Project

Why?
As with Lesley Manville's performance in Phantom Thread, Dafoe's understated and compassionate performance in Sean Baker's film graces the story. His character doesn't covet the screen time or attention, but the film wouldn't be the same without him. 

Actress in a Leading Role

Will win 
Frances McDormand, Three Billboards outside Ebbing Missouri

Should win 
Sally Hawkins, The Shape of Water

Why?
Frances McDormand is an amazing actress, there's no question, but Sally Hawkins is able to deliver an amazing performance with no speaking lines. The emotion in her expressions, her body language, and her demeanor make more of an impact that any performance I've seen in a long time.

Actor in a Leading Role

Will win 
Gary Oldman, Darkest Hour

Should win 
Gary Oldman, Darkest Hour

Why?
Gary Oldman embodies the best and the worst that Winston Churchill was. Oldman carries the film and portrays the power and vulnerability of a man who is the stuff of legend.

Best Picture

Will win 
The Shape of Water

Should win 
Get Out

Why?
2017 was a year when the entertainment industry was able to make great strides in empowering underrepresented voices to have a voice, and unconventional stories to be told. What better way to celebrate that than by recognizing Jordan Peele's groundbreaking film?

I'm excited to see how things shake out tomorrow. Happy watching!

12.31.2017

Happy New Year! My top 24 films of 2017 are...

2017 was a banner year for me personally because I've watched more films in a single year than ever before. Not counting the classic films I checked off my list, all of the random movie nights with friends and family, and one-off streaming viewings, I watched more than 50 new movies at the theater this year.

Since re-launching this blog I also published 7 film reviews among other things, was invited to contribute my thoughts on film over at Reel World Theology where 7 more of my reviews were published and I was a guest on 2 podcast episodes. It's been a great year and I'm excited to continue to work towards becoming a full-fledged film critic and having more great discussions about movies in 2018!

Movie Pass was a game changer for me. I wish I would've known about it sooner. I didn't get my card until the end of the year, but I probably would've watched more if I had known about it earlier. It's an amazing value for film lovers, so check it out!

Here's my list of 24 favorites, ranked. Why pick 24 you say? Well, because I can:


24. Ingrid Goes West



This dark comedy is part social satire part tragedy. Highlights for me were Audrey Plaza's performance and some genuinely funny and sincere moments despite the fact that Ingrid is certifiably insane. Say what you will about how outrageous some moments are, Plaza does not hold back in her performance and in our our social media obsessed age, there's something to learn for everyone.


23. Your Name





Anime is far from my favorite genre, so you know they did something right here. I was awestruck by the beautiful animation and interesting premise. 

22. Logan Lucky



Even though I expected more form this movie, there's no doubt I enjoyed it all the way through. You can expect delightful performances from Channing Tatum, Daniel Craig, and Adam Driver and a twist at the end that makes it a bonafide heist movie.




Reactions to this film were all over the map, but despite its shortcomings, I think there were some really great themes to wrestle through. That combined with an outstanding performance from Hong Chau and some moments that made me chuckle, I think more people should give it a fair shake.


20. Colossal



This film surprised me in a number of ways, despite the one-of-a-kind premise (AKA a drama that deals with addiction and also giant monsters in Korea) the story took a turn that was both unexpected and surprisingly deep. It might not be everyone's cup of tea, but it's anything but boring.

19. Phantom Thread



This film is hard to talk about because of its simplicity and complexity. In what he claims is his last role before retirement, Daniel Day-Lewis gives an incredible performance that earned him an Oscar nomination, but it's the women that really elevate the story. Newcomer Vicky Krieps is stunning and Oscar nominated Lesley Manville brings the heat as well.




The best way to know if you'll like this movie is to find out if you enjoy Guillermo Del Toro fare. His unique and fantastical approach to storytelling is always a trip. It's a beautiful sweeping fairytale that has something to say about discrimination, love, and much more.




Perhaps one of the most wonderfully odd and unconventional stories of the year, I never quite know how to describe A Ghost Story to people. It's beautiful in its simplicity and is a story that has really grown on me over time.




It's not often that you come across a film where the child actors shine. It helps that director Todd Haynes painted a beautiful canvas for the characters to shine on. It's a slow story, but has a lot of heart.




Family dysfunction is Noah Baumbach's forte and he really outdid himself in this film. It's always impressive how easy it is to identify with his characters even when they're having a complete meltdown.



This movie doesn't slow down for one moment. Edgar Wright used a phenomenal soundtrack to push forward his fun-loving story. There are some outrageous characters and moments per Wright's style, but there's no doubt it's one of the stand-out films of the year.




This film is pretty much everything you would want from a historical biopic. Gary Oldman's performance is jaw dropping. He portrays Winston Churchill with near perfection - both his vulnerability and power. That along with some beautifully composed shots makes it a worthy watch.




Watching Wonder Woman was one of the most empowering moments for women at the movies this year. Patty Jenkins handled the character with such deftness. Diana was both a badass and vulnerable in a way that made a whole new generation fall in love with the character.




This film is painful in its realness, but also a breath of fresh air in its tiny actors' buoyancy and love for life. The fact that both seemingly contrasting emotions are present in one film is amazing, even if exhausting at times.




The Last Jedi gave everyone hope that the franchise isn't headed for a rut. Not only did it do justice to stories that came before it, the characters were well-developed and it still had the usual action flick excitement and humorous moments.




I walked away from this film learning so much about the Native American culture. The film is one of the best dramas of the year and I wish it was getting more love from critics and audiences. Jeremy Renner isn't in the running for best actor as far as I can tell, but he should be.




I was pleasantly surprised by this film. It didn't fall into the normal superhero genre trappings. It might win my personal award for most laugh out loud moments. With Taika Waititi at the helm I guess I shouldn't be too surprised since he has been one of my favorite directors in recent years.




This is the second biopic that made my top 25 list, but where this film was really able to outshine the genre was in its tone and presentation of a story with lots of conflicting facts and voices. It's a fun, snarky film that proves that truth is stranger than fiction. 

6. Logan



Similar to Thor, I didn't have high expectations for this film with superhero movie fatigue setting in recently, but James Mangold really transcended the genre with this beautiful and harrowing final chapter for Wolverine's story.




I was immediately intrigued when I heard that The Big Sick was written by husband/wife team Kumail Nanjiani and Emily V. Gordon, especially since the movie is based on their real life romance. This film is a fresh take on the rom-com genre with some of the best comedic moments of the year from its cast.




It's hard to believe that Christopher Nolan can outdo himself after the career he's had. Memento and The Prestige still remain at the top of my list of favorite films. Based on the incredible true story of the battle at Dunkirk, this film was one of the most immersive and emotionally stirring of the year.




This film is deceptively simple. It's a coming of age story, but Greta Gerwig managed to deliver a fresh take on the genre with lovable characters and a sincerity that is simultaneously cringe-worthy and endearing. It's a story that everyone can relate to in some way.

2. Coco



This film left me speechless. Not only because of the gorgeous animation, but also because this film represented so much of my beautifully rich culture. It was the first time I felt that a story portrayed on the screen was able to do the Mexican culture justice. And it's just a great time all around.




If you had told me at the beginning of the year that my top film of 2017 would be a thriller/horror film about a black guy meeting his white girlfriend's parents for the first time, I wouldn't have believed it. I am not a scary movie person. What Jordan Peele was able to accomplish with this film is unmatched by any filmmaker this year. It provided an opportunity for everyone who watched it to experience true empathy and understanding. And that's why it's the best.